I gave only 4 stars as while there are no definitive weak links, I have grown to believe that no ideal cycle exists. There are hardly ideal Beethoven complete symphony cycles, but this is probably as ideal as one is likely to get. Recording is lively in the Cleveland tradition but luckily in quite a fullbodied sound as well. This applies also to the fifth even if is a decade older than the others.
Clear high point of the cycle is the disc containing symphonies 4 and 7, already a classic pairing. Fourth is probably the best of all - including Walter, Klemperer and Ansermet - and seventh is nearly ideal. This very disc demonstrates all the best Szell virtues - dramatic forward drive with an unmatched sense for balance and details yet a fine sense of classicism. Fifth is no match for the Concertgebouw version and a surprisingly low-key Andante but still it is a compelling and powerful performance. The first two symphonies also are not only lightweightish but also quite off charge and leisurely, yet one senses that George knew what he was doing.
Considering the price, this is definitely a steal and now my first recommendation for a full-bodied complete version with a full orchestra. Szell manages to provide a synthesis between Toscanini, Norrington and Karajan: Toscanini with far better sound, Norrington with "proper" sounding instruments and orchestra with full body and Karajan with purposeful forward drive.
My review of the George Szell's Beethoven set is released at Amazon.co.uk; it can also be read by clicking the headline of this blogging.
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